Archive for 2009
 The Unexplained Phenomenon that is the Google Doodle
Google seems to be having some fun with their “Google Doodle” today. Generally, the Google Doodle marks an anniversary of an event related to the image (a recent example would be Michael Jackson’s feet appearing in the Google logo on MJ’s birthday). However, the current doodle, which features a UFO beaming up the second letter “o” from the Google log, does not link to information about any particular individual or event. Instead, it simply gives you the search results for “unexplained phenomenon.”
 Translated: All your o are belong to us
In addition to the Google Doodle, the code (A=1….Z=26) above appears on Google’s Twitter page. Using your Little Orphan Annie Decoder Ring (don’t worry it doesn’t say "Drink more Ovaltine."), you can translate it to read, "All your o are belong to us". This is apparently a reference to poor translation that dates back to the 1991 video game Zero Wing, which later caused an internet phenomenon/meme, according to Wikipedia.
So, is Google just going out of their way to create their own internet phenomenon with their cryptic Google Doodle and Twitter meme? I’d be willing to bet that by the end of the day, if not already, “Unexplained Phenomenon” will be the most highly searched term on the web, which just goes to show how much influence Google has on the online world.
Tags: Google, Google Doodle, search engine, search term, SEO, ufo, unexplained phenomenon, web trends
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If you are using any of the Adobe CS (Creative Suite) line and some of your fonts have mysteriously disappeared or you are all of the sudden getting dreaded missing fonts warning when you open a document that you created on your machine (with the fonts that you USED to have), your problem might be associated with having upgraded to a newer version of your CS product.
I recently removed Adobe CS2 from my laptop to clear up some hard drive space (Note: you can legally continue to run older versions of Adobe CS even after you’ve upgraded, and it’s probably a good idea to keep your older versions unless you need the disk space). Well, today, I went to open a document that I had created prior to removing CS2, when lo and behold, Illustrator CS4 informed me that Century Old Style Std was missing. Now, I had created this document in Illustrator CS4, so it didn’t dawn on me right away that the removal of CS2 could be the source of the problem, so I wasted quite a bit of time trying to figure out how this font could have been deleted from my Windows>Fonts folder. As it turns out, it wasn’t deleted from there at all, because it was never there in the first place.
When installing Adobe CS2 on a Windows machine, Open Type Fonts are stored in Program Files>Common Files>Adobe>Fonts (on a Mac they are stored in [Macintosh HD] /Library/Application Support/Adobe/Fonts/). As long as you leave the fonts there, you can upgrade to newer versions of Adobe CS products and the fonts will still be accessible. For example, upgrading to CS4 will not wipe out your CS2 fonts from this folder. HOWEVER, if at some point you decide to remove your older CS or CS2 versions, the uninstaller will remove the fonts associated with the Creative Suite version you are removing (I think this only applicable to CS and CS2 removal, but I’m not positive).
The easiest way to prevent this from happening is, of course, not to remove your older versions of Adobe CS. If you’re like me and you’ve already made that mistake, hopefully, you still have your CS or CS2 installation disks laying around (or better yet, you still have the older versions on another machine). To fix the situation, either completely reinstall your old CS version(s) or copy the missing fonts you need off another machine that you are LEGALLY running the older versions on (the Adobe Creative Suite license typically allows activation on 2 machines) and paste them into the folder mentioned in the paragraph above. Restart your Adobe application, and you should be all set.
Tags: adobe creative suite, Adobe Illustrator, Adobe InDesign, Adobe PhotoShop, cs, cs2, cs3, CS4, disappearing fonts, missing fonts, where did my fonts go
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The question of how to create this effect came up over in the Adobe forum for Illustrator. The “orange peel” example serves as a good introduction to using map art with the 3D Revolve Effect, so I decided I’d go ahead and do a step-by-step tutorial of how to create this effect. This tutorial is intended for intermediate Illustrator users and above.
 Orange Peel Effect created in Adobe Illustrator
The following Adobe Illustrator tools/features will be used in this tutorial:
- Selection Tool
- Ellipse Tool
- Pen Tool
- Add Anchor Point Tool
- Delete Anchor Point Tool
- 3D Revolve
- Layers Palette
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Tags: 3D Effects, 3D Revolve, Adobe Illustrator, CS4, Illustrator tutorial, map art, mc escher, orange peel effect, peeled fruit effect, sphere
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This tutorial will teach you a method to create realistic clouds using Adobe Illustrator CS4 (see image below). Since these clouds are created using vector graphics, they can be scaled to any size without a decrease in image quality. This tutorials is intended for intermediate to advanced Adobe Illustrator users. If you get lost on using some of the palettes or tools in this tutorial, you might want to try one of my Beginner tutorials. Also, due to the fact that the technique used in this tutorials takes advantage of variable opacity gradients, this method will only work in Illustrator CS4 (if you are using an older version, a work-around would be to use opacity masks).
 Realistic clouds created in Adobe Illustrator
The following Adobe Illustrator tools will be used in this tutorial:
- Rectangle Tool
- Layers Palette
- Ellipse Tool
- Symbol Sprayer Tool
- Symbol Screener Tool
- Gradient Tool/Palette
- Symbol Palette
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Tags: Adobe Illustrator, clouds, gradient, Illustrator CS4, photo-realistic clouds, realistic clouds, symbol, symbol sprayer, transparency
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Have you ever found yourself wondering, “How do I apply a gradient to a stroke?” or, perhaps, “How do I make a gradient follow a curve?” Unfortunately, there isn’t a simple solution in Illustrator for these questions. However, there are some ways to achieve the appearance of having a gradient follow the curves of a path. In this example, we will be looking at how to apply a gradient to a path as a brush stroke, by creating an Art Brush based on a gradient. This is intended for intermediate Illustrator users and assumes the user has a basic working knowledge of Illustrator tools.
Tools/Functions Used:
- Rectangle Tool
- Gradient Palette
- Expand Function
- Transform Palette
- Brushes Palette
- Brush Tool and/or Pen Tool
When asking “How do I apply a gradient as a stroke?” you’ll often be told that the solution is as simple as expanding your stroke into a shape (select your path, and use either Object>Expand or Path>Outline Stroke) and then applying your gradient. This is all fine and dandy, unless you expect that your gradient is going to following the curvature of your original stroked path.
 Outlined stroke filled with a gradient vs. stroke with gradient brush applied
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Tags: Adobe Illustrator, apply gradient to a path, Brushes Palette, creating an art brush, fill, gradient, gradient along a curve, gradient along a path, gradient brush, Gradient Palette, new art brush, Pen Tool Introduction, Rectangle Tool, stroke
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The Pen Tool is one of the most powerful tools in Adobe Illustrator. Yet, it also one of the most difficult tools for some users to learn. This is intended as a very rudimentary introduction to the Pen Tool. I plan to follow this post up with more Pen Tool demonstrations and exercises. This post is intended for Adobe Illustrator beginners.
Tools focused on:
Paths are created in Adobe Illustrator using Bezier curves, which are comprised of control/anchor points. The Pen Tool is used to define control points and Bezier handles (or “curve handles”). which define the curvature of a path between each control point.
 An example of an open path in Adobe Illustrator
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Tags: Adobe Illustrator, anchor point, Beginner, Bezier curves, control point, creating a path, drawing a path, How does the Pen Tool work, Illustrator Pen Tool, Pen Tool Introduction
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I recently had created some letterhead for a client in Adobe InDesign that was to be professionally printed. However, they also needed to be able to create electronic documents with the letterhead converted to PDF from Microsoft Word. It seemed like this should be easy enough to pull off, but it turned out to be an exercise in trial and error. Fortunately, I found a solid solution after many failed attempts.
Logic (which I was foolish to try to apply to anything involving the use of image data in Microsoft Word) told me that my best option would be to export the letterhead from InDesign as a .wmf file, since it’s A) vector-based and B) a Microsoft file format. Then, I should (“should” being the keyword) just be able to Insert>Picture>From File in MS Word with no problems. Unfortunately, the quality of the original vector artwork seems to be affected by this method, and by “affected” I mean “rasterized.” I have since learned that .wmf does not support Bezier curves, which is another reason to avoid exporting from InDesign to a .wmf.
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Tags: Adobe InDesign, electronic letterhead, EMF, EPS, export from InDesign, import into Word, import to Word, InDesign to Word, letterhead, MS Word, PDF, pdf letterhead, vector images in Word, WMF
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 RSS Icon created in Adobe Illustrator
This is second part of the “Creating an RSS icon” tutorial. In Part 1, we used the basic Shape Tools along with the Pathfinder – Divide option to create an “outline” of an RSS icon. This tutorial will focus on using strokes and fills to bring some color to our RSS icon.
(Note: “Cmd” should be substituted for any instance of “Ctrl” for Mac users.)
Tools used:
- Selection Tool
- Swatch Palette
- Gradient Palette
- Appearance Palette
- Stroke Palette
We’ll start with the RSS icon that we created in Part 1. Open your file from Part 1 or download the RSS icon file (.AI). Once you have the file open, you should have an illustration that looks similar to the image below. Your active “Fill” at this point should be “Empty” (or transparent) and your active “Stroke” should be black. Fills are colors or gradients that we “fill” our shapes with, while Strokes are the colors applied to the paths (or “outlines”) that bound our shapes. The active Fill is indicated in the main toolbar as the solid rectangle at the bottom of the toolbar, while the active Stroke is indicated by the hollow rectangle next to the active Fill icon. Whichever icon appears “on top” is activated and can be changed by selecting a new color either in the Swatch Palette or by using the Eyedropper Tool (not covered in this tutorial). So if the Fill icon (solid rectangle) is on top of the Stroke icon (hollow rectangle) selecting a new color will modify the Fill color and vice-versa. The small rounded line segment with arrow heads at each end next to the Fill and Stroke icon will change the Fill color to the current Stroke color and vice-versa.
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Tags: Adobe llustrator, Appearance Palette, create swatch, fill, gradient, Gradient Palette, multiple strokes, RSS, rss icon, stroke, Stroke Palette, swatch
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 RSS Icon
This will be a simple Illustrator tutorial on how to design a basic RSS icon. Part 1 will only deal with creating the shapes (paths) needed for the icon. This tutorial is intended for Adobe Illustrator “beginners.”
Tools Used:
- Guides
- Rectangle Tool
- Rounded Rectangle Tool
- Ellipse Tool
- Pathfinder – Divide
Start by creating a new document in Illustrator. Since this type of icon is typically used for web applications, we will use RGB color mode. The dimensions of the document should be 600px by 600 px. (If you are using CS4, we will only be using 1 artboard.)
Now, that you have created a new document, make sure you have your Rulers visible. If they are not visible, you can turn them on using View>Show Rulers or with the keyboard shortcut Ctrl-R (substitute Cmd for Ctrl on Mac).
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Tags: Adobe Illustrator, CS4, Direct Select, Divide, Ellipse Tool, Guides, Pathfinder, Rectangle Tool, Rounded Rectangle Tool, RSS, rss icon, RSS Symbol
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If you’ve ever taken an underwater photo without a strobe more than a few feet from the surface, you’re probably all too familiar with the deep blue color cast that blankets your entire photo. Well, here is quick and easy way to reduce/remove the color cast, using PhotoShop. We’ll start with an uncorrected image.
 Original Unmodified Underwater Photo of a Great White Shark
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Tags: Adobe PhotoShop, color cast, color correct, enhance photo, remove blue, shark, undewater
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